Review of Dead Man's Gun and Other Western Stories by Ed Gorman
Of
all the valuable stories in this collection "The Face" alone is worth
many times more than the $2.99 you commit to download the book. Many
times more. It is a masterpiece of craft, sensibility and sheer artistry. If
you are uncomfortable with the image of the revolver pointing out from
the cover of "Dead Man's Gun", you may find solace in regarding it as a
symbol of the cruel, true and timeless poetry "The Face" will fire into
the depths of your heart. For this price, every high school history and
English teacher in the country can afford to download it in the
classroom, and every high school student should be assigned to read it.
There need be no test given afterward. "The Face" will stay with them
the rest of their lives, as it will with their teachers and with you, as
it will with me. This I can guarantee without fear of contradiction by
any who have read this brief, profound, elegant, haunting story, no
matter their religion, their politics or their station in life.
I came to "The Face" because I am a longtime admirer of its author, Ed
Gorman, a prolific, masterful spinner of tales in almost every genre
imaginable. This book contains the first of his western stories I've
read, and although westerns are not ordinarily my cup of tea those in
"Dead Man's Gun" are no less entertaining and enlightening than his
mysteries and political thrillers - my preferred genres. "The Face", in
fact, falls outside all three of these categories. It's a story from the
American Civil War, as told by a Confederate battlefield surgeon. I'm
something of a Civil War buff, having grown up in the Midwest and lived
most of my adult life in Virginia. I do not exaggerate when I say "The
Face" is the most sublime, horrifying and memorable Civil War story I
have read. It may well be the most powerful anti-war story ever
published. I would not be at all surprised to learn that many if not
most as they read "The Face" will hear in their minds and hearts, as did
I, the hallowed strains of that old plantation gospel song, "Down by
the Riverside" with its achingly hopeful refrain, "Ain't gonna study war
no more."
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