Hell,
you can tell just by its title it's too smartass for American high
school literature classes. Super
Sad True Love Story, by
Gary Shteyngart.
Published
only three years ago it's way too soon for Super
Sad
to be deemed a classic, which would give it a fighting chance against
enraged assaults by lawyer-bearing, church-driven parents determined
to shield their little disciples from the kinds of books that might
inspire *gasp*
skepticism and critical thinking.
Problem
is, by the time Super Sad
is old enough to be the kind of classic where its title and author's
first name can be dropped, with Shteyngart sitting up there next to
Orwell and Huxley as iconic legends of social prophesy, it might be
too late. At least one of Super
Sad's predictions, that
books will become dangerously unfashionable, has already almost come
to pass.
Here's
Terrence Rafferty's review, which ran in Slate shortly after the book
came out. If you haven't read Super
Sad yet, you best do so
before book-reading is seen as socially inept.
If you've already read it, there might still be time to read it
again. It's one of the funniest, gloomiest social satires I have
encountered.
His Super Sad True Love Story truly is sad.
Gary Shteyngart might be too funny for his own good. His new novel, Super Sad True Love Story,
is a spectacularly clever near-future dystopian satire, but it may
actually disappoint admirers of his first two, more consistently
hilarious, novels, The Russian Debutante's Handbook and Absurdistan.
At first, the book seems like Shteyngart business-as-usual as we delve
into the diary of one Lenny Abramov, a pure exemplar of this writer's
favorite species of comic protagonist: a self-deprecating
Russian-American Jewish male, self-conscious about his appearance,
uselessly well-educated, wry, passionate, neither old nor young, and
helplessly prone to error.
Read the rest here: Super Sad True Love Story
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