Showing posts with label leonard michaels. Show all posts
Showing posts with label leonard michaels. Show all posts

Monday, November 30, 2015

SOME CAME RUNNING (revisited) - James Jones

I am yet under the spell Some Came Running put on me fifty-two years ago. If James Jones wasn't himself a sorcerer, he surely must have tapped into some magic reservoir of imagination when he created the most poignant romantic tragedy I've ever read.

I've kept the paperback copy from 1963 but haven't opened it since. Was afraid Jones's story might no longer affect the profound emotions it did back then in me—a small-town Midwesterner on the verge of running away to the Army to flee his failures. I've learned from sad experience along the way trying to recapture a past enchantment often dispels the memory's potency. Some Came Running's was one I had rather not risked losing.
What finally prompted me to take that risk was hearing “Gwen's Theme” from the novel's movie version. Now, the movie left so little impression on me I have barely a recollection of seeing it. I did not recognize the music. Knowing what it represented, though, I could feel through its peculiar, rending harmonies, its swells, diminishes, and earnest tempos, the depth of longing and anguish and sorrow shared by Gwen and her lover as they returned to me from the book. It drew me in like a siren song. With my old paperback copy still in boxes with hundreds of other books from my recent move, I went online to see if maybe there was an ebook version. This is when I learned not only that Some Came Running had been out of print for over half a century, but that a newly abridged edition appeared just last year.

Wednesday, September 16, 2015

SYLVIA -- Leonard Michaels

Quite possibly the most underappreciated American writer of the second half of the 20th century.”

Thus proclaimed the subject line of the Fictionaut forum discussion last month that introduced me to the late Leonard Michaels. Embarrassed to admit I'd not heard of him, and admiring Chris Okum, the writer who opened the subject, I downloaded Michaels's Collected Essays. I read them almost as fast as I read crime novels.

This surprised me. Michaels was a brilliant man. His essays challenged my mind in a way that ordinarily requires deliberation at the plodding tempo of a dirge. What made the difference, what kept me clipping along through the subtleties of his thinking, enabling me to absorb intuitively the more difficult abstractions, was, simply, his storytelling genius.

And maybe coming up with the right title is part of that genius. The lead-off essay in this collection, for example, the title of which won my devotion at first glance, is What's a Story? His essays are not long. They're not argumentative, dry, tightassed theses aimed at academic review. Humor leavens them. They entice in a voice that reaches with simplicity. They seduce with analysis dressed in narrative.