I've seen her three
times now. The first was at the doctor's office. We are waiting in a
sort of haphazard line at the window where you arrange for referrals
or your next appointment. She is ahead of me, and this is annoying.
A lot of things
annoy me at the doctor's office. It's my age, I suppose. It's assumed
we get grouchier as we watch our youth fade and find it harder to
deny the alternative's approach. I am, anyway. I'm living up, or down
more accurately, to the standard assumption. It's worse at the
doctor's office because of all the reminders. The stink of latent
dread is everywhere, the more noticeable the older you are.
My annoyance at the
angel is marginal. She is simply there, ahead of me, not pacing and
chattering impatiently on a cellphone like the much younger woman who
asks me if I am the end of the line. The chattering woman is vaguely
attractive, physically, so, instead of glancing around dramatically
to emphasize the duh factor that there is no one else near the
window except the angel and the silently enraged old fart ahead of
her, I reach deep into my ragged bag of charms and assure her I am
but that I hope I'm not at the end of the line. She doesn't
laugh. She either doesn't get it, the possibility of which annoys me,
or she does but is annoyed that I haven't pulled out of my disgusting
bag of charms the expression, "You go ahead. I'm in no hurry."
The latter possibility really
annoys me, not that I have entertained any serious notion of opening
the door to perhaps sharing intimate nothings over latté
capo di tutti gràndes,
or whatever the hell they're called, at the Starbucks following our
unlikely introduction.
Fuck her, then, I
resolve, and concentrate on the silently enraged old fart at the
window, ahead of the angel, wondering what the hell is holding things
up. He and the woman on the other side of the window are either
frozen, and the Rapture is underway—stay the hell away from the
window if this is the case—or they are waiting for someone to
respond to a phoned or emailed inquiry.
Must be the second
possibility, as the logjam eventually scatters
freeing the silently enraged old fart to shuffle away, green-tinted
clinical document in hand, toward the waiting room and I hope out of
the building before he has a stroke or a heart attack and really
bottles things up.
I focus on the
angel. Up to now she's registered on me only at the periphery. Her
thinness—no figure, buttwise or boobwise, baggy jeans, skeletal
hands--was most noticeable at first. Caught in my impatient sweeping
glances she seemed frail, probably near the end of the road, grasping
to escape or at least deny the inevitable progression of some
debilitating infirmity, although probably not cancer or she would be
at the window of an oncology clinic instead of here. Her feeble
appearance earns her my “elderly” label, which I realize is
premature as I as yet have no circumstantial age clues such as
hearing a thin, raspy voice humming something like “Yes We Have No
Bananas” or “When the Red Red Robin Goes Bob Bob Bobbin Along”.
I still can't tell you what her hair looks like, which means it must
be unobtrusive either in color or style, probably discreetly dyed and
modestly done.
Her seriously
wrinkled face concludes this inquiry when she approaches the window
for her turn. She's been standing to the left of the window. As she
moves to succeed the silently enraged old fart, she presents her
profile. The wrinkles are first to reach my critical faculties.
Ordinarily such obvious geriatric evidence is my ticket to disengage
from all sentient involvement with the person save those boilerplate
sympathetic platitudes of civility. This distinction seems
increasingly important to me the nearer I draw to the cruel light of
truth I fear already mocks my pitifully inadequate veil of denial.
Are there odors of
death on her? Can I smell the futile ointments and the inadvertent
emissions of withering glands, the seepage of incontinence? Will my
nostrils cringe from the cloying artificial sweetness that merely
magnifies the putrescent horror gaining traction underneath? Perhaps,
to all of this, were the ever-present ambient mix of pharmaceuticals
and industrial antiseptics not so dominating. Another reason I hate
the doctor's office, yet in this instance I should be grateful for
the olfactory distraction.
The
shift comes somewhere in my three-second delayed reaction to this
flash glimpse of terminal
joie
de vivre in
her profile. Something at play between the eyes and the mouth, a
collaboration among the laugh-lines at the corners of each that
signals the game is still afoot.
Somehow
I'm losing my definition of ill. Sublime's now more than a word. My
heart warms, aches remind me I live, blood equations be damned. All I
need, want, is right here.
She turns gently,
green document in hand. Our eyes meet. We smile. I am well.
When you dropped in the " fuck her" I wasn't expecting that. Good ending too.
ReplyDeleteThanx, Roy. I've spruced up the ending a tad. Much better now, I think.
DeleteI found it riviting and a tad disturbing. Job done, I will not age. Nope.
ReplyDeleteReally really really well done. you had me at hello..
ReplyDeleteThank you, Sweetheart.
DeleteEnjoyed - alas only after reading the sequel "Angel's Return" on Fictionaut. Cheers!
ReplyDeleteMany thanks, Marcus.
Delete