If I do something
unusually stupid today, say, something that gets me in trouble with the
law, I'm suing Bill Johnson.
Bill Johnson, in a
novel written under the improbable pseudonym
William E. Johnson, kept me up waay past my usual bedtime last night
unable to stop reading A Silent Tide until I'd reached The
End. This rarely happens to me, and I read a lot of novels. I'd say
A Silent Tide is “a page turner” were I inclined to use
clichés and, more objectively,
had I read an actual book. I'm not, and I didn't. I read Johnson's
crime thriller on my laptop, having downloaded the Kindle version
from Amazon.com for a measly three bucks. Thus, in the interest of
literal accuracy, I shall say that for me A
Silent Tide was a page
scroller.
I shall also say, to
disabuse any cynics itching to suggest Johnson paid me to call his
novel a “page scroller”, it was not at first. After a
ratatattating hellishly bloody gunsmoke-reeking prologue (which you
can read for free by clicking here) the pace downshifts a tad as
Johnson spends more space than he needs introducing his lawyer hero,
the hero's perfect family, and the supporting cast, which includes
the idyllic environs of the novel's setting: marvelously Norman
Rockwellish (Southern style) Mathews County, Virginia. These details
he might have spread more evenly throughout the narrative to avoid
having them hit like speed bumps jarring the hero's 1986 Porsche 911
SC in a flat-out run on an empty stretch of Route 14 several hours
before sunrise when even most of the drunks are off the road, one way
or another.
These
kind of speed bumps are not uncommon—necessary, in fact—for
authors crafting a feel of reality rather than simply a radio script
of dialogue and cues for sound-effects and dramatic organ riffs. With
most thrill novels I find the bumps convenient spots to close the
book for the day with the comfortable sense that I am the one in
control, not the author. A
Silent Tide did not
allow me the luxury of this illusion.
I hate suspense.
Hate it viscerally, get nervous, angry, and claustrophobic. I
tremble, pace, nibble things, get up to pee too often, scream if I
think I can do it without getting busted...(This could go on awhile.
I'll cut it off here, but feel free to suggest other examples of
neurotic response on your own time.) Despise it. Suspense. Oddly,
though, obvious cliffhangers at the ends of novel chapters ordinarily
amuse me, because they perhaps unwittingly give me a glimpse past the
suspense they hype, relieving some of the hideous tension I otherwise
would experience.
I
didn't have this advantage with
A Silent Tide. There
were cliffhanger teasers, of course. No good thrill-writer can
dispense with them. But all Johnson's did was heighten the shrieking
anxiety that grew the more intolerable with each page, despite the
speed bumps. I could not trust my imagination to make the leap of
certainty that what came next would be what it should be so I could
close my laptop and sleep, confident that when I awoke refreshed next
morning the story would be waiting and would confirm the development
I'd pretty much predicted. With A
Silent Tide I couldn't
be sure. What was happening was too unpredictable, too hinky, as the
cops in A Silent Tide
might say. So I had to know. I couldn't let it go. I had
to scroll, and I did. All the way to the end.
But even then I
couldn't sleep.
Kept
hearing noises in my apartment. Clanks, clicks, scraping... Was it a
Mexican drug cartel hit crew come to eviscerate me because I'd read A
Silent Tide and now
knew how their sophisticated smuggling operations went down? Was it
the chef from Anna's here to silence me because I was privy to the
recipe for a perfect bowtie pasta dish our hero succulently describes
as he prepares it in A
Silent Tide? Was it
retired Mathews Circuit Court Clerk Eugene Callis enraged that I'd
read a description of him as a Col. Sanders lookalike without the
goatee? Was it William E. Johnson himself, terrified I would note in
this report a typo that had slipped through the production of A
Silent Tide,
misspelling or confusing “averse” with “adverse”?
I
could go on listing possible nemeses, I suspect, were it not that the
expanding multitude of them hovering over my sleepless head, having
sprung from the pages of A
Silent Tide, abruptly
dispersed at the sudden raucous duet of crow twins Clarence and
Clarke greeting the rising sun outside my bedroom window.
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