Shell
Scott? Meh—today's
chichi word that describes my reaction to the first Richard S.
Prather mystery novel I read some serious decades past, when I was a
serious fan of serious fictional private eyes with names like Spade,
Archer, Marlowe, Hammer, and Continental Op. Scott, in my serious
opinion then, was a fop.
And
I never looked back at the silly, smartassy, white-crewcutted,
embarrassing imitation of the “real” P.I.s a mature guy like me
could dig. Mature. That was me. So much older then. Thanks be to God's
grace and Bob Dylan I'm younger than that now, although I did cringe at the
thought of revisiting the extensive Prather canon when crime author
Patti Abbott suggested that contributors to her blog's weekly
Friday's Forgotten Book feature might consider picking a Prather
novel to write about. She dropped this hint just before Christmas. I
dragged my feet and finally downloaded the cheapest Prather book on
Kindle I could find: three short stories called Squeeze
Play.
It's named for one of the two Shell Scott stories sandwiching a
non-Shell Scott story called The
Spirit of the Convention,
which I liked. The two Scott stories? Meh. Same reaction essentially
I had before.
But
as we moved closer and closer to the deadline—it's this
Friday—I
decided to give Shell Scott another chance. On Monday I downloaded
Shellshock,
his
last published novel before he died on Valentine's Day nine years ago
next month. Enjoyed it so much I am now a devoted fan. Scott is a
hoot, and Shellshock
was a masterful mix of parody with enough serious, twisty plot to
keep me scrolling down the Kindle pages. Evidently I didn't
appreciate parody when I was older. At the same time, I don't believe
parody works in the short story form—at least not Prather's style. The limited length simply cannot accommodate the complex
plotting and exaggerated attention to certain details that worked so
well in the novel.

