Review of Wild Swans by Jung Chang
Most often when I review a popular book I like I look to the one-star reviews rather than those with five. This is more so I'm not influenced by the words and sentiments in the raves. I want the review to reflect my own reading experience, not the viewpoint of others. The pans are usually good for a laugh, and they often give me a starting point for my own assessment of the book.
Most often when I review a popular book I like I look to the one-star reviews rather than those with five. This is more so I'm not influenced by the words and sentiments in the raves. I want the review to reflect my own reading experience, not the viewpoint of others. The pans are usually good for a laugh, and they often give me a starting point for my own assessment of the book.
I've come to Wild
Swans late, learning of it only recently from a friend who lived
in China awhile teaching English. Ordinarily averse to reading books
others recommend to me (don't really know why) this time it worked,
in part I suspect because my friend in describing some of the
fascinating revelations it contained tugged back the hem of a curtain
I hadn't realized was blocking my view of a land and a culture far
beyond anything I had imagined. Many of the handful of disappointed
readers bemoaned that Wild Swans didn't excite them, didn't
have enough dialogue to suit their taste for action. They compared
the book to works of fiction or fictionalized biographies. They must
have missed the parts describing the incomprehensible horrors the
Japanese committed on the Chinese in World War II, and then by the
Chinese themselves in the subsequent struggles for political control
and ultimately by the prevailing Communist Party and by the regime
headed by Mao Zedong, a certifiable madman who relentlessly set his
subjects against each other by the millions, urging them to torture
and beat each other to death and drive one another to insanity and
suicide.
I'm surprised anyone who claims to have been bored by author Jung Chang's descriptions of such horrific
atrocities as “singing fountains”, in which Red Guards split
victims' heads open to entertain onlookers with the subsequent
screaming and geysers of blood can read at all. Or maybe they miss
the dramatic foreground music that prompts them to glance up from
their cellphones in time to catch violent depictions on their
wide-screen TVs.
Jung Chang builds her
story, an account of China's tumultuous history during the 20th
century, around the lives of three generations of women – her
grandmother, mother and herself, the “wild swans” of the title.
Eventually allowed to leave her politically oppressive homeland for
England as a visiting scholar, she began writing Wild Swans
after a visit of several months from her mother. Finally free of the
restrictions to talk about anything that might be perceived as
showing China in a negative light, Jung Chang's mother starting
telling her daughter things she'd bottled up most of her life. She
talked almost nonstop, even when she couldn't be with her daughter.
Jung Chang said her mother left some 60 hours of taped narrative
before returning to China. I could go on for pages describing the
horrors these women suffered and the incredible heroism they
displayed under conditions brought about by the most wicked behavior
the human species has ever displayed.
This statement is bound to
arouse suspicion that I'm a political shill or at least am
exaggerating beyond reason, but from reading Wild Swans I can
say with complete confidence Mao Zedong was a genius of the most
evil design ever seen on the planet. If only for the sheer magnitude
of Mao's murderous subjugation of China's hundreds of millions,
Hitler and Stalin were pipsqueaks in comparison. As Jung Chang
observed, Hitler and Stalin relied on elites and secret police to
enforce their totalitarian regimes. Mao cowed and brainwashed his
subjects with cunning, bringing out their worst instincts toward
service without question of his every whim. One consequence was the
starvation of millions during a famine brought about solely by Mao's
vanity and ignorance.
My vague, naïve sense of
China left me woefully unprepared for Jung Chang's deceptively
dispassionate revelations. Her straightforward, uncontrived
presentation, which has a diary feel at times, gives the horrors she
describes a poignance that wrenches the heart. Not that all is
ghastly and bleak. Alongside the indelible image of the “singing
fountains” is her childhood remembrance of having deliberately
swallowed an orange seed. A family member had warned her not to
swallow the seeds or orange trees would grow out of her head. She
admitted having trouble getting to sleep that night worrying about
it.
I prefer this memory to
the other, although I know both will ever remain with me.
[ Click title to buy Wild Swans on Amazon]